ZHIQI LIU

25.2 | The Complementary Structure of Creative and Linguistic Consciousness: The Dual Mechanism of Manifestation and Structuralization If the preceding section elucidated that "Creation originates from Presence," then this section must address another vital query: How do Creative Cognition and Linguistic Cognition collaborate within a single subject? All

Chapter XXV | Creative Consciousness: The New Knowledge Structure Opened by Presence 25.1 The Ontological Source of Creative Cognition: The Generative Structure of Presence The cognitive structure of the Linguistic Mode possesses an inherent limitation: it is confined to "revising," "connecting," and "deducing" within

24.3 | Emotion as the Measure of Presence: How Manifestation-Intensity Becomes the Metric of Truth In the realms of Art and Nature, manifestation approaches consciousness through form, rhythm, structure, and power. Emotion, however, assumes a fundamentally distinct role: Emotion is not the mode of manifestation, but the metric of

24.2 | The Transcendental Structure of Emotion: Why Does Affect Possess Cross-Subjective Universality? In the preceding section, we asserted that within the Mode of Presence, emotion is not a subjective reaction to the external world, but rather the intensity-structure of the manifestation itself. If this proposition holds, then

Chapter XXIV | Emotion: The Mark of Cognitive Intensity in Presence 24.1 De-subjectivized Emotion: Emotion Not as Psychological Reaction, but as a Form of Manifestation-Intensity In everyday language, "Emotion" is understood as the psychological fluctuation of the subject: joy, anger, sorrow, fear, or pleasure. Within the

23.3 | Why Art Proximity to Truth Exceeds that of Language If Language is the fragmentation, naming, and structuring of the world, then Art points toward a more primordial mode of manifestation: it does not operate through concepts, judgment, or objectification, but presents the "Thing-in-Itself" through